All the oil paintings of BRUEGHEL, Pieter the Younger
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ID |
Image |
Painting(From A to Z) |
Details |
29156 |
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Adoration of the Magi |
mk65
1638
Oil on canvas
transferred freo panel
14x22"
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5499 |
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Adoration of the Magi df |
Tempera on wood, 39 x 55,5 cm
National Gallery, Prague |
5501 |
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Battle of Carnival and Lent f |
Oil on wood, 121,3 x 171,5 cm
Mus??es Royaux des Beaux-Arts, Brussels |
64484 |
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Crucifixion |
1617 Oil on wood, 82 x 123 cm Museum of Fine Arts, Budapest It is assumed that the painting is copy of lost painting of Pieter Bruegel the Elder. There are several other copies differring only in the background. Artist:BRUEGHEL, Pieter the Younger Title: Crucifixion, 1551-1600, Flemish , painting , religious |
5502 |
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Crucifixion dgg |
1617
Oil on wood, 82 x 123 cm
Museum of Fine Arts, Budapest |
33541 |
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Netherlandish Proverbs |
mk86
1559
Oil on wood
117x163cm
Berlin,Gemaldegalerie,Staatliche Museen zu Berlin-Preubischer Kulturbesitz
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40371 |
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Netherlandish Proverbs |
mk156
1559
Oil on oak panel
117x163cm
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78536 |
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Paying the Tax |
1620-1640, USC Fisher Museum of Art
Date 1620-1640
cyf |
64399 |
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Proverbs |
Oil on canvas Rockox House, Antwerp The proverb illustrated: 'Jealous of the water if the sun shines on it' (= cupidity). Artist:BRUEGHEL, Pieter the Younger Title: Proverbs (detail), 1551-1600, Flemish , painting , genre |
5504 |
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Proverbs (detail) d |
Oil on canvas
Rockox House, Antwerp |
5509 |
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Proverbs (detail) dfdfhj |
Oil on canvas
Rockox House, Antwerp |
5505 |
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Proverbs (detail) f |
Oil on canvas
Rockox House, Antwerp |
5508 |
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Proverbs (detail) fgd |
Oil on canvas
Rockox House, Antwerp |
5506 |
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Proverbs (detail) fgjh |
Oil on canvas
Rockox House, Antwerp |
5507 |
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Proverbs (detail) ftqq |
Oil on canvas
Rockox House, Antwerp |
5503 |
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Proverbs fd |
Oil on canvas, 123 x 164 cm
Rockox House, Antwerp |
33544 |
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The Corn Harvest |
mk86
1565
Oil on wood
118x161cm
New York,The Metropolitan Museum of Art
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33545 |
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The Hunters in the Snow |
mk86
1565
Oil on wood
117x162cm
Vienna,Kunsthistorisches Museum
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40382 |
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The Hunters in the Snow |
mk156
1565
Oil on panel
117x162cm
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33543 |
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The Land of Cockaigne |
mk86
1567
Oil on wood
52x78cm
Munich,Bayerische Staatsgemaldesammlungen,
Alte Pinakothek
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40386 |
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The Numbering at Bethlehem |
mk156
1566
Oil on oak panel
115.5x163.5cm
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29220 |
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The Testimony of John the Baptist |
mk65
Oil on canvas,transferred from panel
42x66"
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33542 |
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The Tower of Babel |
mk86
1563
Oil on wood
114x154cm
Vienna,Kunsthistorisches Museum
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40381 |
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The Tower of Babel |
mk156
1563
OIl on oak panel
114x155cm
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63941 |
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Village Feast |
114 x 161 cm Museum of Fine Arts, Budapest One of the best works of the artist. The composition is similar to that of the Children's Games by Pieter Bruegel the Elder. , Artist: BRUEGHEL, Pieter the Younger , Village Feast , 1551-1600 , Flemish , painting , genre |
5510 |
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Village Lawyer fg |
1621
Oil on panel, 74,8 x 122 cm
Museum voor Schone Kunsten, Ghent |
5500 |
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Winter Landscape with a Bird-trap |
Oil on panel, 40 x 57 cm
Museo del Prado, Madrid |
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BRUEGHEL, Pieter the Younger Flemish painter (b. 1564, Bruxelles, d. 1638, Antwerp).
Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544-1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On November 5, 1588 he married Elisabeth Goddelet, and the couple had seven children.
He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel".
Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque.
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